Lenscratch shared my newest series, Down for the Day, the third time they have featured my work.
Lots of artist's talks during summer 2018! I spent two days as a visiting artist and did a lecture at Parson's MFA Photography in June. In July I spoke about my book New York Waterways at Alice Austen House. Underwater New York and Works on Water invited me to talk about New York Waterways as well, as part of their September celebration of their residency program on Governor's Island.
Hofstra University awarded me a Faculty Research and Development Grant to faciliate further work on Down For the Day.
Mike Smith reviews New York Waterways for f-stoppers.com, asking "How then, in this most photographed of places, can a photobook surprise you?"
More New York Waterways press in It's Nice That online magazine
News 12 profiled my current exhibition "A Further Shore," on view at The Bronx Museum of the Arts Until April 8, 2018
Wonderful press for New York Waterways in November and December
also: we-heart.com, caughtbytheriver.net, creativeboom.com
Upcoming solo exhibition at The Bronx Museum of the Arts and book launch.
Right Coast limited edition monograph pre-order is now available.
Slate.com featured A Further Shore in their photo blog, Behold. Jordan Teicher wrote, "In a city that often seems to be marching toward the future, Ray found that time seemed suspended along the water. While her photos surely offer a view of modern New York, they also capture something unchanging about the city."
The New York Times presented selections from A Further Shore as their weekly Metropolitan album, accompanied by a beautiful article by reporter John Leland.
On April 9th the Annenberg Space for Photography in LA screened selections from Right Coast, What are the Wild Waves Saying, and A Further Shore, as part of a slideshow event related to their current exhibition "Sink or Swim: Designing for a Sea Change.
Lenscratch featured A Further Shore twice, at the end of 2014 and then kicking off the new year. The main feature, with a lovely introduction by Aline Smithson, can be seen here.